10, Outubro

I hope you’re doing well. School has recommenced for me and I’ve been tasked with an unprecedented flurry of obligatory readings, from books to papers to papers on books and books on papers. COVID-19 severely shortened the semester and one must toil to fit so much voluminous theory in such a thin amount of time.Continue reading “10, Outubro”

17, Setembro (superlative ipseity, acht)

Forgetfulness has no worth by itself; it lacks an economy of space. Past our brutal archway of knotweeds and spruces, the pathways opened only to an abandoned garrison. Sucessive instants of nature hued the rubble with that superlative ghost of placeness and immortality, which is so rarely reflected in insomnia. The cabinets had illegible filesContinue reading “17, Setembro (superlative ipseity, acht)”

13, Setembro (plasma, aiken)

Eliogabalus, Shu, Malakbel, Shamash, Sól; under the fragments of your cone reaching the lodes of stillblood; under your numerous risings, emptier and brighter; under you and always under, as broken circles or frangible slopes, the light pools around our fingers and edulcorates the tinge. We realise, now, how nights can be synergistic. How nights canContinue reading “13, Setembro (plasma, aiken)”

8, Setembro (loquat, violet, Bèla)

My artifice was underacted. Only when the sycamore expired did I gloss its brief sussurus. My muffled blood takes to the bludgeon of evening and, dry, proceeds to the integration. Sound has since slogged through five varieties of despair. A scream would be mute by the force of merely being. I take note of thingsContinue reading “8, Setembro (loquat, violet, Bèla)”

1, Setembro

She now oft forgets. Memories are volatile, as is the foam of waves and the formication they leave debossed on the shore. September reminds her of wasps, meadows, heat. I’m reminded of jags and seagulls or a deformed field of ashfall. I’ve never heard her express fear of losing the common ropes; my name orContinue reading “1, Setembro”

31, Agosto

“Books will give rest sometimes against the uproar of water falling and righting itself to refall filling the mind with its reverberation                    shaking stone.” William Carlos Williams, Paterson, Book Three (The Library) The inexhaustible becomes the forgotten. I abhor times of initiation and transition; this science of conjuring aphotic worlds is annealed by a silence which, by nature ofContinue reading “31, Agosto”

poetry with a place

I was inspired to create three compositions on three queer (gay, in this instance) relationships pertinent to Art History. I’m unknowing of why these were the ones that I picked, despite there being quite a few more of weighty impact, some of even more impact that those I chose. I was just reading up onContinue reading “poetry with a place”

surmania – layers and (layering)

I know, I’m aware. When I was little, I feared two things: to be touched, and alien spaceships, though I suppose that dissipated when I first visited one (fun!). The haptophobia, though, never quite took flight, and it only became more extensive, deeper. I have my ways of becoming intangible, of becoming repulsive, of sheddingContinue reading “surmania – layers and (layering)”

on Dzubas

Sorry for the bad poem; my styles in Portuguese and English are very divergent at the moment, (thank god, it took me so long to get to this point), but that also means they don’t get a lot of interrelational textures and can’t enjoy proper translations. Besides, I haven’t been feeling my best, which justifiesContinue reading “on Dzubas”

notes on the creative corpse

(IMAGE DOES NOT LOAD WELL IN MOBILE, CLICK THIS LINK INSTEAD) I’m running out of ink a bit. This poem was initially designed to be part of greater work along with two other large poems that I will release over the next weeks. However and upon council with a dear literati, I decided not toContinue reading “notes on the creative corpse”

poetry without a place 2

More fragmentary poems, thought these are slightly less inspired. I spent the week studying Portuguese literature and my mental linguistics are entirely dissonant. I currently have a small obsession with the composer Eric Nathan and his recently released album “the space of a door”, and have been studiously perscrutating the work of Miró for theContinue reading “poetry without a place 2”

on evolving

I had my hyper-productive cycle, and now, as is visible, my ability to conjure poems is waning a bit. I’m still committed to writing and showcasing, perhaps more than ever, because I feel that exposition helps me not only calibrate my productions, but in having a veritable self-responsibility to creating, even when I’m wringing about.Continue reading “on evolving”

on Goya

Francisco de Goya is, along with very few, a veritable re-inventor of visual arts. His descent into depression, magisterially tabulated by his paintings, stands as the most embossed, limpid and surviving documentation of creative mania and artistic pessimism. One needn’t go further than drawings such as El Agarrotado and El Sueño de la razon produceContinue reading “on Goya”

on Inness

There are few instances of expression more lambent than looking at George Inness’s “Roman Campagna” while listening to Henryk Górecki’s plangent “Wislo Moja, Wislo Szara“, since, to me, both works transubstantiate the tortuous aspects of time into a pleasant, warm resignation; they remind me that so much of war is only heat. It’s partially unknownContinue reading “on Inness”

style

(CALIATH) features, and has always featured, a style of importation and eclosion that isn’t encountered commonly. Not only does my own personal style of composing include the immaturity of my creative endeavors and the many cultural and linguistic importations spurred from the fact that I’m not native in English, it also contains a seemingly heavyContinue reading “style”

hipomenos and his inner god

// turifumy is the divination by smoke; // umbromancy is the divination by shade; // metagnomy is the divination by magic. If you’re a spiritual person, I very much envy you. I’ve had a conturbed relationship with spirituality ever since I was a child, and even my poetry, at least normally, shelters itself from meddlingContinue reading “hipomenos and his inner god”

poetry

I don’t talk much about poetry (the theme) anymore, and I’ve always found it difficulty answering questions such as “what is poetry to you?” and “what is your relationship with poetry?”, (not that I get deluges of questions, I certainly do not). Some days ago, I was reading about Albert Tarantola, and I thought, whyContinue reading “poetry”