hipomenos and his inner god

// turifumy is the divination by smoke; // umbromancy is the divination by shade; // metagnomy is the divination by magic. If you’re a spiritual person, I very much envy you. I’ve had a conturbed relationship with spirituality ever since I was a child, and even my poetry, at least normally, shelters itself from meddlingContinue reading “hipomenos and his inner god”

(Droplet) vesaas.

The house slopes down from the holt, pieces of wenge sorted among lithe vertical panes, casting licks of sun upon the floors. The back-porch hung above the echo of a stream; it no longer ran even a hair of water. Standing purposefully near a dammed lake, during early mornings, one couldn’t detect the house fromContinue reading “(Droplet) vesaas.”

there’s a kingdom of voices

(I’m going to start publishing some “humbler” poems I have stored and continually write; although I’m quite demanding of, if not the quality of the poetics themselves, at least the attempted quality of the posts, as well as their parsimony, I realise that I’ve become quite obsessive with it, which ebbs against me rather thanContinue reading “there’s a kingdom of voices”

smoky balances (english poetry)

It’s a very simple poem, likely one of the simplest I’ve posted recently, but it’s a good practice to have some levity once in a while, some balance. My eyes tend to get tired of the denser colours. Thank you for reading,João-Maria.

(Droplet) the diminishing of writing.

Approach, there are voices, a finished star. We select a stick and twist the algae, what does it contain now? At once, everything, all colour and light any eye is to receive; stringy life in vertical lifelessness, and there are systems as hyaline as emotions, finished stars, beginning stars, some are turtles and some, smallContinue reading “(Droplet) the diminishing of writing.”

to taste of salt (english poetry)

I spent a good deal of December avoiding the written arts entirely; there was this sentiment of emotional threshold, a sensation that the stacks of words I was creating were cindery distillations of ire or sadness. The purge I necessitated to convalesce informed my Art, but I thought it should be contrary, that my ArtContinue reading “to taste of salt (english poetry)”

emperor julian’s bandana (english poetry)

I don’t always know how to write poetry; well, I do know how it is meant to be written, I just can’t say I know how to write it. Every time I write a poem, it feels like I’m learning to write poetry all over, and over, and over, stretching longitudinally like a row ofContinue reading “emperor julian’s bandana (english poetry)”

(Droplet) the waves of creation.

«‘But Bernard goes on talking. Up they bubble — images. “Like a camel,” . . . “a vulture.” The camel is a vulture; the vulture a camel; for Bernard is a dangling wire, loose, but seductive. Yes, for when he talks, when he makes his foolish comparisons, a lightness comes over one. One floats, too,Continue reading “(Droplet) the waves of creation.”

seven poems of Japanese aesthetics (english poetry)

I’m always on the prowl for ambient sounds apt for concentration, quest which led me to some of the most endeared songs of my library. Recently, I came across Ensō, by Fort Nowhere, followed by my procurement of what Ensō meant, the discovery of that Japanese spiritual practice, along with Japanese aesthetics, which I exploredContinue reading “seven poems of Japanese aesthetics (english poetry)”

(Droplet) shortsock.

I have few conversations which lay vivid in my mind, very few, in fact. I’m one for the dead particulates of experience, objects that don’t move nor breathe, still things, oblivious details, a sort of hyperesthesia which only serves to coif the saturnine adepts of purple prose. And my predilection for «things» is not givenContinue reading “(Droplet) shortsock.”

reticulated (english poetry)

My mother worries about me, as one tends to. I can’t really write much to soothe her (and I have tried), so I wrote this one, quite a while ago, to soothe myself. It was translated from Portuguese, and it is quite old, but I have some strange affection for it. It truly does sootheContinue reading “reticulated (english poetry)”

(Memnos II) – A Silence In Which No One Sings

        I’d like to think that, if you made it to this point, you hold the glory that my poem holds not, as you withstood it. I don’t particularly like anything I produce these days, but this one was a delicate endeavor to iron-out. Written over nearly two months, revised hundreds of times, wholesomely deletedContinue reading “(Memnos II) – A Silence In Which No One Sings”

(Memnos I) – Alluvium

        I was vanished; A most egotistical subterfuge, but naught without its proper cost. Approaching my date of birth by last December, I suffered a massive plunge in my mental integrity, followed by some level of tragedy, anguish, and some sparse instances of recuperation. This is most common to me since my early childhood, yet,Continue reading “(Memnos I) – Alluvium”

⌉|⌈ – Arboretum

                Days are colder. Men stroll with long coats and laden heads, guarded from the rain, women grip their catatonic hearts, gazing into their reflections on the sultry train windows. I don’t remember the last time I cried. I’d swear I’ve seen sunlight in the past few weeks,Continue reading “⌉|⌈ – Arboretum”

⌉|⌈ – Für Alina

In 1976 — a year hardened by a big exodus within European confines, Alina, then eighteen years of age, left Tallin, Estonia, for a more promising life in England. Shipping in embrace with her father, she left only her mother, who was left in solitude. Arvo Pärt, by then a long-time friend of the family,Continue reading “⌉|⌈ – Für Alina”

⌉|⌈ – Irrigation, friends.

        Leaned against the customary elm tree, some would take aim at nouvelle psychologies, others would echo life-bound lessons at the bottom of a plastic beer cup. If elation existed on summary, little else would be needed to describe the happiness blooming from friendship. I’d spent my few years of breath on fighting prejudice andContinue reading “⌉|⌈ – Irrigation, friends.”

⌉|⌈ – Sunken Soul, debris.

“Sad is what I am — what I will always be,  an artist is born in form of a shipwreck,  and henceforth, that same sunken soul  shall live from scavenging the debris.”           Existence is often homogenous with the ebb of an ocean — composed of movements, violent thrusts against the shore, soothing hymns thatContinue reading “⌉|⌈ – Sunken Soul, debris.”

⌉|⌈ – Four Chestnut Kings

Four Chestnut Kings When I read poetry, it’s not customary to do it in one sitting, since verse can be overbearing at times, especially when the verse in question is condensed with a large amount of information or emotional overdraws. So, to break that cycle of lyricentric text, I will make a little break andContinue reading “⌉|⌈ – Four Chestnut Kings”

My Grandmothers Carnations

I know this is not a photo blog, but I make a ton of references to my grandmothers carnations in my poetry, especially in True-Ultra, so I thought I would show you why they are so inspiring to me. They have received no editing and come directly from my lousy phone, so the quality mightContinue reading “My Grandmothers Carnations”