TRUE-ULTRA

Today, I e-published my first title and a wave of terror washed over me. I do not feel quite ready for it. I’m an admirer of so many, and I don’t feel worthy of having people purchase my book just yet. It’s just not something I feel okay with, due to my inexperience and general inadequacy. Still, I feel like I’ve created something special in this humble manuscript. Something worth reading, but not necessarily commercialising. As such, I will un-publish the book and open it to reading in this post, in PDF format, free-for-all. I will, however, also provide a donate button bellow, may you decide I’m worthy of such honour and trust (you decide the amount). What I receive will be used for the purposes previously mentioned – maintaining the website and eventually, a groovy poetry-chilling podcast. Thank you, and sorry. True Ultra – The Book

YANGTZE

Maybe one of my most thought out compositions, this one is mostly surreal, in the style of the elder french poets. It drawns purely from existentialism and it can be somewhat complicated to unravel, so if you have any questions, just pop em up. (Disregard the graphic elements, I was trying these out on paper and then tried to replicate them here) JOHNNY

NIHIL (english poetry)

A bit of an abandoned project, I had hopes of transforming a portuguese poem I had into an English form without translation. Due to structure constrains, I wasn’t able to fully converse it, it was supposed to have eight more stanzas (to match the portuguese version with 20 stanzas). Turns out the English language is generally more laconic, and you can convey more using less, in turn breaking the general spine of the poem. This is what was left, hopefully someone can look at it and see something worthwhile. JOHNNY

WOTAN-A-MORTE (english poetry)

I haven’t been publishing much lately. Besides being generally busy, my poetic production lately has seemed a bit twisted. As I struggle inside, usually, so does my poetry, and it warps more and more the worse I get. Regardless, I created this blog for exactly this purpose, to “document” how my work seems to change, evolve, sometimes for the worst. Here is a composition that shows it pretty well: