on Goya

Saturn Devouring His Son, 1819-1823


Francisco de Goya is, along with very few, a veritable re-inventor of visual arts. His descent into depression, magisterially tabulated by his paintings, stands as the most embossed, limpid and surviving documentation of creative mania and artistic pessimism. One needn’t go further than drawings such as El Agarrotado and El Sueño de la razon produce monstruos to realise how acutely stricken he was with his own demons, and one would need to go as far as La romería de San Isidro in order to understand that his demons were not merely of the inner kind. Goya’s progression from an orderly, august form of painting that was most apposite for the Romantics of his time, to a deeper, astringent use of colour and blurred strokes, which annealed the asperity of the thoughts that informed his paintings, is one such progression that is of interest and should be studied by any creative with manic challenges, such as myself. It also much mirrors the path of his compatriot, Picasso; while Goya descended into a more agonic expressionism, Picasso went into six different styles over a series of collections.

Giant Seated in a Landscape – 1818

Although Saturn Devouring His Son is one of my favoured paintings of his (since the symbolic interpretations are nearly boundless), I did not write a specific composition on this painting; in fact, I’m still trying to gather forces in order to write a long, contextual and cybertextual composition on Goya’s work, likely divided into multiple parts. Goya’s obsession with giants, however, reminded me of an old composition I wrote and never put up on the blog (although its destination was, initially, the blog). Part of the BEACONS poems, it was written with the partial, synthetic perspective of a child, looking at “giant things”.



Albeit from mid-2019, thus, a bit overly aged, it somewhat maintains my general style of writing, while the same cannot be said by anything earlier than that. It was, I think, perhaps the first composition I made with the style I have now. I hope to have more compositions made apropos Goya in future, since he is, without a semblance of doubt, one of the painters that most deeply inspire me.

Thank you, and have a lovely Sunday!,
João-Maria.