three madrigals (poetry)

Inspired by a coalescence of Alice Oswald’s Severed Head Floating Downriver (and truly all of Falling Awake), John Ashbery‘s Three Madrigals, Herberto Helder‘s Servidões and Rilke‘s Death.Mostly an exercise in form, or trials of mathematising form. In fact, only the last of the madrigals has my formal signature. I have been finding it hard toContinue reading “three madrigals (poetry)”

fragments III

There is some glory left in the fragmentary: it requires entirety and demands plenitude. Unlike the poem, which exists only in the fullness of itself, the fragmentary cannot overspill nor wound in outburst. It is a slow, percolated humiliation. It is not the Art of the Perpetual, but a manner of deconstructing the frigidity ofContinue reading “fragments III”

the tired, the funny (prose)

(transcript) She, for many mornings since some irrecuperable point in time, would sit in her garden, looking; lost. There was exuberance in her eyes as she gazed nothingness with abandon. All of herself was in that act of looking. She would call for Clarita to bring her pen; for days on end she did this.Continue reading “the tired, the funny (prose)”

of the right types of nascence (prose)

(transcribed) He approached Sabros and felt an inexplicably nervous density. It was sadness, he was sure of it, but not any sadness. This sadness, such is the nature of its absolute absence, cannot chill nor hold by virtue of its forms, and one feels instead in some aeropause by it created, like orbiting a bodyContinue reading “of the right types of nascence (prose)”

30, Dezembro (poetry)

It has been an odd year for me and most, and I’ve been incredibly fortunate to have met many wonderful figures here and shared Art that I love with you along with Art that I love making. I’ve never been too fond of writing about writing, as it often feels infatilising and dulled by harmlessContinue reading “30, Dezembro (poetry)”

8, Setembro (loquat, violet, Bèla)

My artifice was underacted. Only when the sycamore expired did I gloss its brief sussurus. My muffled blood takes to the bludgeon of evening and, dry, proceeds to the integration. Sound has since slogged through five varieties of despair. A scream would be mute by the force of merely being. I take note of thingsContinue reading “8, Setembro (loquat, violet, Bèla)”

(translation) poem, daniel faria (2)

By popular demand, I shall put here another translation I had given up on and decided to complete upon seeing the warm reaction in my last translation of Daniel Faria. As I’m noticing that more-and-more folks are becoming interested not only in Portuguese poetry and the translated works themselves, but my method of translation andContinue reading “(translation) poem, daniel faria (2)”