(translation) poems, daniel faria

Daniel Faria is a complicated figure of Contemporary Portuguese Poetry, perhaps the most complicated of all. Daniel died young, at twenty-eight, and left behind a literary legacy of seven published collections of poetry, along other small publications found in literary awards and a plethora of other fragments and pieces that his acquaintances donated to theContinue reading “(translation) poems, daniel faria”

(translation) poems, herberto helder

Herberto Hélder was born in Funchal, Madeira, in 1930. In 1964, alongside António Aragão, Herberto would create the first anthology of experimental poetry in the Portuguese language, which punctuated an enormous shift in Portuguese poetic literature. He died in 2015.He wrote the poems above in his book, Servidões, a book also never translated into English.Continue reading “(translation) poems, herberto helder”

(translation) the trains that leave to Antwerp, herberto hélder

Herberto Hélder was born in Funchal, Madeira, in 1930. His poetry began during the tail of Portuguese Surrealism, after Mário Cesariny, and had as recurrent themes alchemy, mysticism and ancient mythology. He died in 2015.He wrote the prose-poem above in his book, Os passos em volta, a book never translated into English. This translation wasContinue reading “(translation) the trains that leave to Antwerp, herberto hélder”

(translation) style, herberto hélder

Herberto Hélder was born in Funchal, Madeira, in 1930. He was the most influential Portuguese poet of the second half of the 20th century, and by far the most misanthrope, having lived in relative isolation and refusing every prize he ever received. He died in 2015. He wrote the prose-poem above in his book, OsContinue reading “(translation) style, herberto hélder”

poetry with a place

I was inspired to create three compositions on three queer (gay, in this instance) relationships pertinent to Art History. I’m unknowing of why these were the ones that I picked, despite there being quite a few more of weighty impact, some of even more impact that those I chose. I was just reading up onContinue reading “poetry with a place”

surmania – layers and (layering)

I know, I’m aware. When I was little, I feared two things: to be touched, and alien spaceships, though I suppose that dissipated when I first visited one (fun!). The haptophobia, though, never quite took flight, and it only became more extensive, deeper. I have my ways of becoming intangible, of becoming repulsive, of sheddingContinue reading “surmania – layers and (layering)”

on Dzubas

Sorry for the bad poem; my styles in Portuguese and English are very divergent at the moment, (thank god, it took me so long to get to this point), but that also means they don’t get a lot of interrelational textures and can’t enjoy proper translations. Besides, I haven’t been feeling my best, which justifiesContinue reading “on Dzubas”

notes on the creative corpse

(IMAGE DOES NOT LOAD WELL IN MOBILE, CLICK THIS LINK INSTEAD) I’m running out of ink a bit. This poem was initially designed to be part of greater work along with two other large poems that I will release over the next weeks. However and upon council with a dear literati, I decided not toContinue reading “notes on the creative corpse”

(Droplet) spume.

The word, defining, muzzles; the drawn lineOusts mistier peers and thrives, murderous,In establishments which imagined lines Can only haunt.  Sturdy as potatoes,Stones, without conscience, word and line endure,Given an inch.  Not that they’re gross (although Afterthought often would have them alterTo delicacy, to poise) but that theyShortchange me continuously:  whether More or other, they still dissatisfy.Unpoemed, unpictured, theContinue reading “(Droplet) spume.”