emperor julian's bandana (english poetry)


I don’t always know how to write poetry; well, I do know how it is meant to be written, I just can’t say I know how to write it. Every time I write a poem, it feels like I’m learning to write poetry all over, and over, and over, stretching longitudinally like a row of trees lining an horizon, perpetually learning how to grow. Hence why, I believe, it is so difficult to publish something I’ve written; I essentially have no perception of my evolution, thus, I can’t really feel like I’ve evolved. I can objectively put a poem of mine from years ago and one that I’ve just written, and of course I prefer the latter, but merely because I am the latter presently, and I shall never again be the former nor feel it in the dimensions I felt it when it was penned.
But this is a hurdle that extends to life, at least in some ways. We can say we have evolved, but it is hard to pinpoint the whys, the hows, the morphology we had and now have seem, at times, entirely disconnected, separate autonomous beings, and sighting ourselves in retrospect can often feel like seeing something entirely eldritch, the sun that warmed us then doesn’t feel like the same sun, the waters we bathe in don’t feel like the same waters, and there is this strange sentiment, like we are perpetually learning how to grow, how to do these same things in new ways, ways that match our new beings.



(Thank you for reading me, I know I’ve been diffuse lately, but even if I’m not great at this, I always try to give the best of myself that I have, and I’m incredibly grateful that you allow me that luxury)

João-Maria

Uma Ode a Paulo Cunha

Paulo, desculpa-me, fora a primeira Ode que alguma vês terei escrito, por vias disso, não será a melhor que já haveis lido, talvez nem a melhor dedicada a ti. Mas gostei muito de a escrever, porque a escrevo para ti. Quem não conhece o meu querido Paulo, ele vive aqui.


ode 1

Ode 2

Ode 3

ode 4


João Maria Azevedo, com ajuda de Eugénio de Andrade, na sua tradução da “Ode a Federico Garcia Lorca”, escrita por Pablo Neruda, e com ajuda de Verlaine, na sua “Canção de Outono”, citada na primeira estrofe.

 

noise, peace (english poetry)

Y’all, I’ve been reading too much American poetry, so I’m going through this mixed phase of modernism and romanticism, I hope something good comes out of this because its certainly weird for me to write like this.

Screen Shot 2018-07-15 at 12.28.17.png

Screen Shot 2018-07-15 at 19.15.34.png

Disclaimer: bulletless doesn’t seem to be a real word, but I don’t get why, so I’m gonna use it anyway.

Disclaimer 2: I’ve since revised the second part of the poem, so if you’re reading for a second time, you may find it different than the original. If you seek the original, you can find it here.


JOHNNY

CHUVA QUENTE (poesia portuguesa)

Entre os átomos dos livros, a poeira dos dias, a fome de versar tão intensamente que as lágrimas me invadem os olhos, existe um sentimento cuja história da Arte Humana tende em replicar sempre com a mesma tristeza, com o mesmo olhar magoado: o abandono.

Os espaços, as pessoas, os animais, os sonhos e romances, todos ganham a fronte inversa aquando abandonados, não há onda maior de sofrimento, não há perda maior para o imponente Tempo, que a de se ser desertado.

É disso que nasce esta humilde composição, não tenho outro adjectivo para lhe entregar.

Screen Shot 2018-07-10 at 15.54.46Screen Shot 2018-07-10 at 15.54.51

Custa um pouco publicar este poema, cuidem bem dele.


João Maria.