The word, defining, muzzles; the drawn lineOusts mistier peers and thrives, murderous,In establishments which imagined lines Can only haunt. Sturdy as potatoes,Stones, without conscience, word and line endure,Given an inch. Not that they’re gross (although Afterthought often would have them alterTo delicacy, to poise) but that theyShortchange me continuously: whether More or other, they still dissatisfy.Unpoemed, unpictured, theContinue reading “(Droplet) spume.”
More fragmentary poems, thought these are slightly less inspired. I spent the week studying Portuguese literature and my mental linguistics are entirely dissonant. I currently have a small obsession with the composer Eric Nathan and his recently released album “the space of a door”, and have been studiously perscrutating the work of Miró for theContinue reading “poetry without a place 2”
I had my hyper-productive cycle, and now, as is visible, my ability to conjure poems is waning a bit. I’m still committed to writing and showcasing, perhaps more than ever, because I feel that exposition helps me not only calibrate my productions, but in having a veritable self-responsibility to creating, even when I’m wringing about.Continue reading “on evolving”
At the precise moment in which the irreducible tongue of the sun recoiled and became an irregular line trodden by the tremulant eucalyptus leaves, Jorge Guerra first felt the dense phenomenon of solitude so characteristic of birth. His father, António Medes Guerra, was a reputed dipsomaniac of jagged features, of which his black beard wasContinue reading “(Droplet) jorge”
They don’t always make it,thank you,João-Maria.
Francisco de Goya is, along with very few, a veritable re-inventor of visual arts. His descent into depression, magisterially tabulated by his paintings, stands as the most embossed, limpid and surviving documentation of creative mania and artistic pessimism. One needn’t go further than drawings such as El Agarrotado and El Sueño de la razon produceContinue reading “on Goya”
There are few instances of expression more lambent than looking at George Inness’s “Roman Campagna” while listening to Henryk Górecki’s plangent “Wislo Moja, Wislo Szara“, since, to me, both works transubstantiate the tortuous aspects of time into a pleasant, warm resignation; they remind me that so much of war is only heat. It’s partially unknownContinue reading “on Inness”
(made in a for-fun manner; some lovecraftian mytho-poetics are great for the snap of spring; it’s not enriched with deeper meanings, or at least, not purposefully so. It’s just some unbridled imagery!) Thank you,João-Maria.
This is wholly unintelligible and I do apologise, but I’m at a point in which trying to curate a thought ends up harming more than helping when it comes to composing. I don’t know what path to take besides continuing writing and hoping the problem sorts itself out before long. Thank you (and sorry) forContinue reading “inhabit”
The beach of my choosing was Rocha, which was besprent with caverns, alcoves and grottos, some due to decades of construction atop the promontories inevitably causing fall-ins, others were formations of erosion that, so careful was the fashion of their forms, one would be tempted to believe that the sea sculpted them in its ownContinue reading “(Droplet) a basket of sun, a wicker of fear.”